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TPO 41 - P1

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Directions: An introductory sentence for a brief summary of the passage is provided below. Complete the summary by selecting THREE answer choices that express the most important ideas in the passage. Some sentences do not belong in the summary because they express ideas that are not presented in the passage or are minor ideas in the passage. Navajo art is fundamentally connected to aspects of Navajo ritual and belief.

A. Sand paintings, which help participants in rituals recall traditional chants, are part of ceremonies designed to restore beauty and harmony.

B. Sand paintings, which are created by Navajo men, are faithful re-creations of earlier works and as such represent the principle of stability.

C. ln Navajo culture, weaving is a female art and is associated with creativity and change.

D. Navajo sand paintings are an expression of the close relationship between nature and the spiritual world in Navajo culture.

E. Individual Navajo sand paintings typically embody the principles of harmony and disorder.

F. Whereas Navajo sand paintings are associated with male deities, Navajo weaving involves representations of female figures such as Spider Woman.

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正确答案: B E F
  • 原文
  • 译文
  • The Navajo, a Native American people living in the southwestern United States, live in small scattered settlements. In many respects, such as education, occupation, and leisure activities, their life is like that of other groups that contribute to the diverse social fabric of North American culture in the twenty-first century. At the same time, they have retained some traditional cultural practices that are associated with particular art forms. For example, the most important traditional Navajo rituals include the production of large floor paintings. These are actually made by pouring thin, finely controlled streams of colored sands or pulverized vegetable and mineral substances, pollen, and flowers in precise patterns on the ground. The largest of these paintings may be up to 5.5 meters in diameter and cover the entire floor of a room. Working from the inside of the design outward, the Navajo artist and his assistants will sift the black, white, bluish-gray, orange, and red materials through their fingers to create the finely detailed imagery. The paintings and chants used in the ceremonies are directed by well-trained artists and singers who enlist the aid of spirits who are impersonated by masked performers. The twenty-four known Navajo chants can be represented by up to 500 sand paintings. These complex paintings serve as memory aids to guide the singers during the performance of the ritual songs, which can last up to nine days.

    The purpose and meaning of the sand paintings can be explained by examining one of the most basic ideals of Navajo society, embodied in their word hozho (beauty or harmony, goodness, and happiness). It coexists with hochxo ("ugliness," or "evil," and "disorder") in a world where opposing forces of dynamism and stability create constant change. When the world, which was created in beauty, becomes ugly and disorderly, the Navajo gather to perform rituals with songs and make sand paintings to restore beauty and harmony to the world. Some illness is itself regarded as a type of disharmony. Thus, the restoration of harmony through a ceremony can be part of a curing process.

    Men make sand paintings that are accurate copies of paintings from the past. The songs sung over the paintings are also faithful renditions of songs from the past. By re-creating these arts, which reflect the original beauty of creation, the Navajo bring beauty to the present world. As relative newcomers to the Southwest, a place where their climate, neighbors, and rulers could be equally inhospitable, the Navajo created these art forms to affect the world around them, not just through the recounting of the actions symbolized, but through the beauty and harmony of the artworks themselves. The paintings generally illustrate ideas and events from the life of a mythical hero, who, after being healed by the gods, gave gifts of songs and paintings. Working from memory, the artists re-create the traditional form of the image as accurately as possible.

    The Navajo are also world-famous for the designs on their woven blankets. Navajo women own the family flocks, control the shearing of the sheep, the carding, the spinning, and dying of the thread, and the weaving of the fabrics. While the men who make faithful copies of sand paintings from the past represent the principle of stability in Navajo thought, women embody dynamism and create new designs for every weaving they make. Weaving is a paradigm of the creativity of a mythic ancestor named Spider Woman who wove the universe as a cosmic web that united earth and sky. It was she who, according to legend, taught Navajo women how to weave. As they prepare their materials and weave, Navajo women imitate the transformations that originally created the world. Working on their looms, Navajo weavers create images through which they experience harmony with nature. lt is their means of creating beauty and thereby contributing to the beauty, harmony, and healing of the world. Thus, weaving is a way of seeing the world and being part of it.

  • 纳瓦霍人,在美国西南部生活的土著人,住在小分散的定居点。在许多方面,如教育,职业和休闲活动,他们的生活就像其他群体,对二十一世纪的北美文化的多样化的社会结构做出了贡献。同时,他们还保留了一些与特定艺术形式相关联的传统文化习俗。例如,最重要的纳瓦霍的传统仪式就包括大地板画制作。这些实际上是在地上浇注薄的、控制绝佳的彩色砂或蔬菜和矿物质粉、花粉、和花卉流,浇注出精准的图案。这些画的最大可能是直径5.5米,覆盖整个房间的地板。从外向内的设计工作,纳瓦霍艺术家和他的助手将黑、白、灰蓝色、橙色、红色的材料通过自己的手指来创建非常详细的图像。用于仪式的画和唱的歌都是由训练有素的艺术家和歌手们来指挥,召唤灵魂者的帮助,由戴面具的表演者扮演。二十四名纳瓦霍圣歌可由500个砂画来代表。这些复杂的绘画作为记忆的辅助工具,以在仪式歌唱中指导歌手,这样的演唱可以持续9天。

    可以通过检查一个纳瓦霍社会最基本的理想,可以解释砂画的目的和意义,体现在他们的单词hozho中(美或和谐,美好,和幸福)。它与hochxo(“丑”或“恶”和“无序”)在世界中共存,这个世界中拥有相反动态和稳定力量,创造不断变化的。当在美丽中创造的世界,变得丑陋和无序,纳瓦霍人聚集起来用歌曲举行仪式,并且用沙画恢复世界的美丽与和谐。有些疾病本身就是一种不和谐。因此,通过仪式恢复和谐,可以是一个治疗过程的一部分。

    男人制作过去画作精准的沙画副品。根据画品演唱的歌曲也是过去歌曲的忠实演唱。通过再现这些艺术,反映原始创造之美,纳瓦霍人带来当今世界之美。作为西南部新到的移民,这个地方的气候、邻居和统治者可能同样不友好,纳瓦霍人创造了这些艺术形式来影响他们周围的世界,不只是通过叙事的象征性的行动,也通过美与和谐的艺术作品本身。这画一般从神话英雄的生活中,说明思想和事件,这些英雄在被神明治愈之后,就被赋予了歌曲和绘画的天赋。从记忆中工作,艺术家尽可能准确地重新创造了传统形式的图像。

    纳瓦霍人也以他们编织毛毯的设计而世界闻名。纳瓦霍妇女拥有自己的家养畜群,管理者羊毛的修剪、梳理、纺纱以及线的染色和编制。男人们制作精准的旧画副本代表纳瓦霍人稳定的思想准则,而女性则代表了活力和并且为每个编织创造新的设计。编织是名叫蜘蛛女的神话祖先的创新范式,她把宇宙作编织成一个宇宙网,联合地球和天空的。据传说,是她教纳瓦霍妇女如何编织。当他们准备他们的材料和编织,纳瓦霍妇女模仿最初创造世界的转变。她们的织机上工作的时候,纳瓦霍编织者通过他们在自然界感受到的和谐创造图像。它是创造美的手段,从而促进了世界的美、和谐和疗愈。因此,编织是一种看世界的方式,是它的一部分。

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文章小结题。
文章首段:Navajo独特的文化传统。具体例子: sand painting。Sand painting 结合chant在仪式中的使用。
第二段:阐述了sand painting同其社会理念(hozdo)之间的关联:用艺术的和谐美对抗环境的不友好。
第三段:sand painting的艺术特点:忠于传统,准确描画。
第四段:另一艺术形式:weaving。妇女艺术weaving的文化内涵:代表着动态、变革、创造。
本体引导句是对全文主旨的一个概括。
A选项错。关于sand painting 艺术特征,原文二段没有强调close relationship.
B选项正确。是对首段后半部分,sand painting 功能的概括。
C选项错在后半句:“representations of female figures such as Spider Woman”原文无。
D选项不准确。“individual”概念原文无。对其艺术原则的概括与原文二段、三段不符。
E选项正确。第三段首尾两句【Men make sand paintings that are accurate copies of paintings from the past】和【Working from memory, the artists re-create the traditional form of the image as accurately as possible】完全对应E选项关于【faithful re-creations of earlier works】的说法。而选项E后半段的第二个点--【represent the principle of stability】则可在最后一段的【While the men who make faithful copies of sand paintings from the past represent the principle of stability in Navajo thought】找到。
F选项正确。是对最后一段的总结概括。

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