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第一段

1 .Listen to part of a discussion in a Business Management class.

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第二段

1 .Last week we were talking about innovation in businesses.

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2 .Remember the graph I showed you?

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第三段

1 .The curve that looked sort of like the letter S?

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第四段

1 .Right, Cathy, let's take another look.

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2 .Do you recall, Cathy, how this S-curve represents the life cycle of innovation?

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第五段

1 .Sure, starting on the left, the new innovation, uh, let's say it's a new product.

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2 .Almost nobody has heard of it or at least nobody takes it seriously.

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3 .Then its popularity increases, uh, slowly at first, till sales really started accelerating quickly.

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4 .There were the line goes up steeply in the middle as more and more people get excited about the product and they go out and buy it.

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5 .But eventually, moving over to the right side there, interest began to fade and the growth in sales levels off.

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第六段

1 .At which point the market has matured for that product.

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2 .We can still sell it and even marginally improve it but it's not new anymore.

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3 .It no longer offers exciting growth opportunities.

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4 .So a business leader might face a choice: either stick with this old safe proven idea or move on to the next big idea, a fresh innovation.

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5 .But innovations are risky.

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6 .They may succeed or they may not.

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7 .OK, a case study, George, I've heard your Thursday night program on the campus radio station.

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8 .You like jazz, right?

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第七段

1 .Huh? Uh, yeah, sure, but what?

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第八段

1 .OK, stay with me here.

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2 .On your program last week, I heard an old Miles Davis'album.

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3 .Tell us about that.

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第九段

1 .Uh, Miles Davis, trumpet, I played a CD of a jazz classic he recorded in the 1950s called Kind of Blue.

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2 .It's my all-time favorite of jazz recording.

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第十段

1 .Mine, too. Would you call that recording innovative for its time?

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第十一段

1 .Absolutely! Nothing at all like what he'd recorded up till then, I mean, before that Miles Davis played things so complex that, well, nobody could touch him.

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2 .But this was something totally new.

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3 .Suddenly his playing sounded so amazingly simple.

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第十二段

1 .And how did people react to this new sound of Miles Davis?

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第十三段

1 .Well, some were disappointed even angry that he'd abandoned his old style.

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2 .But soon most of his fans came around.

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3 .And this new style appealed to a whole new group of jazz listeners.

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第十四段

1 .I guess so!

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2 .Kind of Blue became the most commercially successful album in the history of jazz.

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3 .So is there a lesson here, anyone?

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4 .Think of that S-curve I showed you.

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第十五段

1 .Oh, so his old style of jazz was actually a kind of product, one that had been developed pretty thoroughly.

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2 .And he'd taken it about as far as he could.

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3 .So he decided to take a big risk and try something totally new.

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第十六段

1 .Exactly! Something completely fresh and cool and people couldn't get enough of it.

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2 .It was a brand new beginning that left lots of room for further development artistically.

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3 .And as a market analyst, you could say that with Kind of Blue he was jumping to the beginning of a brand new S-curve, with all that potential for profitable developments still ahead of him.

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4 .But let me ask you something else.

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5 .This isn't just the music of a single performer, is it, George?

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第十七段

1 .Hardly, more like a group of All Stars, along with Miles Davis on trumpet, there's Bill Evans on piano, John Coltrane on tenor saxophone.

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第十八段

1 .Individually perhaps the best in the business but thinking of Miles Davis as the leader of this group, how did he organize and manage all this incredible talent?

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第一十九段

1 .Well, he'd lay out the general outline, the theme, and then give each of these star performers, one by one, a creative freedom to really show what they could do with it on their own instrument, to improvise and add something new, but always within the same general theme.

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第二十段

1 .So Miles Davis gets credit for recruiting the best jazz talent anywhere and getting them to collaborate on a fantastic musical product.

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2 .Everyone see the business parallels here?

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3 .And give each of these musicians credit for seizing the opportunity and creating great individual performances.

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4 .But good jazz is more than just outstanding individual performances, isn't it?

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第二十一段

1 .Definitely! Jazz musicians need to listen to each other and go with the flow, like, one time somebody goofed and came in a little early, but everyone else adjusted and went right along with it as if nothing were wrong.

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2 .And this mistake came out like just another unexpected creative interpretation.

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第二十二段

1 .Thanks, George, great insights, ones that would certainly apply at what we're studying here.

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